This wonderful series — wrapping up its run with its new season — understands the South in a way TV rarely does.
In the deeply emotional Sundance family drama, Young plays Daniel Holden, a newly exonerated death row inmate who re-enters society after nearly two decades in prison. On the day his wife called looking for him, he’d found the character hard to shake and had been standing on a street corner for four hours; as Young recounts the experience, it’s with the wry smirk he wears even when telling the most devastating story imaginable.
“I couldn’t move,” he says. “I was petrified that I was going to fall over. I was absolutely fine. I was healthy. My kids were healthy. I had a beautiful wife. For the first time in my career, I think, I even managed to pay off one of the credit cards. And yet Daniel was there, just going, ‘Don’t move. It all hurts, and if you move, it will hurt more.’ Like when you have a bad back. I was afraid to turn my head. I was afraid I would see through the façade.”
It sounds weird, I know — like the kind of mystical mumbo jumbo actors sometimes tell reporters to make themselves sound profound. But I know from having talked to Young several times over the course of Rectify’s run — the show’s fourth and final season debuts on Sundance Wednesday, October 26 — that he takes this character and this world seriously. And not in a self-important or self-involved way; that’s just the effect Rectify has on those involved in it, and its tiny coterie of devoted fans.
Young’s solution to his Daniel problem was simple: Build the character a guesthouse in his head where Daniel could go to live in between seasons.
“I knew he was there. I’d occasionally take him things, but I wouldn’t see him. Then Sundance would email me, and I’d go and check on him,” he says.