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Clayne Crawford Named One of Emmy Magazine’s “Faces of Fall”

 

 

 

Lethal Weapon, Fox

 

Google the word swagger and you may find an image of Clayne Crawford.

 

After two seasons as manipulative Ted Talbot, Jr., in SundanceTV’s under-recognized drama Rectify, Crawford tackles Martin Riggs — a character made famous by Mel Gibson in Richard Donner’s 1987 buddy action film, Lethal Weapon, and its three sequels.

 

What’s more, he makes the familiar part his own. Comparisons may be inevitable, but they’re unnecessary. The story doesn’t differ much from the movie: Riggs is an unpredictable, unstable war hero with a suicidal streak who lost his very pregnant wife in a car accident.

 

Now, as an L.A. cop, he’s partnered with middle-aged family man Roger Murtaugh (an excellent Damon Wayans), with whom he butts heads, yet grudgingly bonds. Equal parts Marlboro Man and street smartass, Crawford brings a reckless renegade edge to the role, with just enough sulky sex appeal to make him both volatile and vulnerable.

 

Born and bred in Alabama, he plays Riggs as an all-American casualty with a heart of gold — more Steve McQueen than Mel Gibson. And there’s enough comic banter, generational conflict and macho pride between the two leads to keep this bro-cedural crackling with humor as well as action. And lest we forget, McQueen got his start on television, too.

Note: He has actually been in three season of Rectify with this being the fourth.

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In ‘Rectify,’ Life After Prison and the Chance to Be Reborn

NY TIMES – For decades, television has been cop, judge, jury and jailer. Police and courtroom dramas are a mainstay; a few series, like “Orange Is the New Black,” have explored prison life. But “Rectify,” a drama entering its final season on SundanceTV on Wednesday, is exceptional in being concerned with what comes after prison, for ex-convicts, for their families, for an entire community.

 

In the first episode of the new season, Daniel Holden (Aden Young), who has been released from prison after 19 years, describes what the incarceration did to him. “When you are alone with yourself all the time,” he says, “you begin to go deeper and deeper into yourself until you lose yourself.”

 

“Rectify,” created by Ray McKinnon, is a small series; it has shown a mere 22 episodes in three seasons and will have eight in its final run. But by focusing on a small world and pacing itself deliberately, it manages to be both intimate and expansive.

 

Slowing down time — the first season takes place over about a week — “Rectify” is a meditative work of reconstruction, with a visual sense of wonder, as if the camera, too, had been released into the world after two decades staring at four walls.

 

The series begins with Daniel’s return home to the fictional Paulie, Ga., after DNA evidence vacates his conviction for the rape and murder of his high school girlfriend, Hanna Dean. He’s free but not exonerated, and he finds himself unequipped for freedom. Having spent his entire adult life under a regime, he’s paralyzed by simple things like a visit to a big-box store.

 

The show traces his transition, and that of his family: his mother, Janet (J. Smith-Cameron), who resents the years lost with her son; his sister, Amantha (Abigail Spencer), who fiercely defends Daniel’s innocence; his stepbrother, Teddy (Clayne Crawford), who doubts him; and Teddy’s wife, Tawney (Adelaide Clemens), a deeply religious woman whose sympathy for Daniel draws her close to him and drives a wedge between herself and her husband.

 

Continue reading In ‘Rectify,’ Life After Prison and the Chance to Be Reborn

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Sundance’s Rectify could be The Wire for small-town America

This wonderful series — wrapping up its run with its new season — understands the South in a way TV rarely does.

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VOX – One afternoon shortly after actor Aden Young had wrapped season one of Rectify, his wife called. He’d gone out a few hours earlier and hadn’t returned. She wanted to know if he was okay.

 

In the deeply emotional Sundance family drama, Young plays Daniel Holden, a newly exonerated death row inmate who re-enters society after nearly two decades in prison. On the day his wife called looking for him, he’d found the character hard to shake and had been standing on a street corner for four hours; as Young recounts the experience, it’s with the wry smirk he wears even when telling the most devastating story imaginable.

 

“I couldn’t move,” he says. “I was petrified that I was going to fall over. I was absolutely fine. I was healthy. My kids were healthy. I had a beautiful wife. For the first time in my career, I think, I even managed to pay off one of the credit cards. And yet Daniel was there, just going, ‘Don’t move. It all hurts, and if you move, it will hurt more.’ Like when you have a bad back. I was afraid to turn my head. I was afraid I would see through the façade.”

 

It sounds weird, I know — like the kind of mystical mumbo jumbo actors sometimes tell reporters to make themselves sound profound. But I know from having talked to Young several times over the course of Rectify’s run — the show’s fourth and final season debuts on Sundance Wednesday, October 26 — that he takes this character and this world seriously. And not in a self-important or self-involved way; that’s just the effect Rectify has on those involved in it, and its tiny coterie of devoted fans.

 

Young’s solution to his Daniel problem was simple: Build the character a guesthouse in his head where Daniel could go to live in between seasons.

 

“I knew he was there. I’d occasionally take him things, but I wouldn’t see him. Then Sundance would email me, and I’d go and check on him,” he says.

 

Continue reading Sundance’s Rectify could be The Wire for small-town America

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